Kevin Kittle has worked as Joseph Chaikin’s assistant director and with Arthur Miller and Sam Shepard for the Signature Theater Company. He has directed numerous productions and readings in such New York City theaters as The John Houseman, The Neighborhood Playhouse, Theater Row Theaters, Ensemble Studio Theater, HERE, Sullivan Street Playhouse, and The Irish Repertory Theatre, as well as regionally. His most recent productions include Bitter Greens at 59E59, Hot Season at The Sheen Center for Strange Sun Theater, Blood Potato at the Clurman and In God’s Hat at Playwrights Horizons Peter Jay Sharp Theater for Apothecary Theatre Company, and Beyond the Pale (nominated for Best Director and Best Production at the 1^st Irish Theatre Festival). At the Greenwich Street Theatre, he directed the world premiere of Jamie Linley’s Dirty Works (critical acclaim in NYC and at The Edinburgh Fringe Festival) and Philip Ridley’s The Pitchfork Disney, both as resident director of Stiff Upper Lip. Other credits include: Watching and Waiting at The Judith Anderson, The House of Yes at The Currican, and Life During Wartime (2001 Off-Off Broadway Review Award for Outstanding Production) with Inertia Productions as their resident director. As co-developer and dramaturge-director, Kevin has worked on This is the How, with Rhett Rossi at The Playroom Theater, David Dannenfelser’s When Words Fail… at The NY International Fringe Festival (the script of which is published in Plays and Playwrights, Vol. One), and Peter Handy’s East of the Sun and West of the Moon, which was a finalist in the Samuel French One Act Festival and is published by Samuel French. His Los Angeles production of Chet Whell’s Economic Subterfuge was nominated for an LA Weekly Award. Kevin served as Associate Head of Acting and the Director of Performance Ensemble at Mason Gross School of the Arts, Rutgers University until 2020.